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| Les lettres et journaux dans la fiction | |
| | Auteur | Message |
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Emjy Bookworm
| Sujet: Les lettres et journaux dans la fiction Sam 2 Aoû - 21:39 | |
| Comme il y a actuellement sur le forum un challenge consacré au genre épistolaire et aux journaux, il m'est venue à l'idée d'ouvrir un topic aux lettres et journaux dans la fiction. Moi, le premier exemple qui me vient à l'esprit est l'une des plus belles lettres d'amour qui soient : celle du Capitaine Wentworth à Anne, dans Persuasion Et vous, à quels lettres et journaux fictifs pensez-vous ? _________________
Dernière édition par Emjy le Dim 3 Aoû - 12:23, édité 1 fois |
| | | Miss Virginia Bookworm
| Sujet: Re: Les lettres et journaux dans la fiction Dim 3 Aoû - 10:56 | |
| Cette lettre est très jolie en effet.
J'aime beaucoup celle de Darcy à Elizabeth. Mais une de celles que j'aime particulièrement est celle de Rodolphe à Emma Bovary, que l'on lit alors qu'elle est en cours d'élaboration. C'est une lettre de rupture. |
| | | Shelbylee Bookworm
| Sujet: Re: Les lettres et journaux dans la fiction Dim 3 Aoû - 11:56 | |
| Je n'avais pas aimé la lettre de Wentworth en français. Je trouve que la traduction lui fait perdre vraiment beaucoup de force.
J'adore aussi la longue lettre explicative de Darcy.
Sinon, je pense aux lettres des Liaisons dangereuses, mais cela fait beaucoup trop longtemps que je l'ai lu pour qu'une se démarque en particulier. _________________ |
| | | Summerday Bookworm
| Sujet: Re: Les lettres et journaux dans la fiction Dim 3 Aoû - 12:39 | |
| @ Shelbylee : il est vrai que la lettre de Wentworth est mille fois moins belle en traduction qu'en VO! Dans un genre plus récent je pense à la lettre d'Augustus qu'Hazel lit à la fin de Nos étoiles contraires de John Green. C'est une lettre adressée à l'auteur qu'ils rencontrent à Amsterdam et que l'assistante de ce dernier lui envoie à la toute fin du roman. - Spoiler:
Van Houten, I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time—and from what I saw you have plenty—I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel : Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless—epically useless in my current state—but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invent anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die before I could tell her that I was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
C'est une lettre touchante car maladroite, qui n'était pas adressée directement à Hazel et qui s'avère d'autant plus émouvante. On y retrouve l'esprit du personnage, sa verve, son humour. Il faut avoir lu le roman pour comprendre combien cette lettre est aussi triste que lumineuse. J'aime particulièrement cette phrase : - Citation :
- You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you.
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